The third tone sandhi in Mandarin is a well-studied rule, where a Tone 3 followed by another Tone 3 is changed as a rising tone, similar to Tone 2. This Tone 3 sandhi rule is straightforward in disyllabic words, which is phonetically driven for the ease of production. In three or more than three syllables with Tone 3, however, the Tone 3 sandhi application is more complicated and involves both the prosodic and morph-syntactic domains, which makes it difficult for L2 learners. This study aims to understand how L2 learners with another tone language experience could master the Mandarin Tone 3 sandhi rule. Specifically, the study investigates the production of Tone 3 sandhi in trisyllabic Mandarin words by Cantonese speakers. In the current study, 30 Cantonese speakers were requested to produce 15 trisyllabic words (“1+[2+3]” and “[1+2]+3” sandhi patterns) and 5 hexasyllabic sentences with Tone 3 in sequences. The analyses of results center on three major types of error patterns: overgeneralization, under application, and combination. The findings are discussed with regard to the phono-syntactic interactions of Tone 3 sandhi at the lexical and phrasal levels as well as the influence of the Cantonese tonal system.
Cite as: Tu, J.-Y., Wong, J.W.-S., Cha, J.-H. (2017) Trisyllabic Tone 3 Sandhi Patterns in Mandarin Produced by Cantonese Speakers. Proc. Interspeech 2017, 3177-3180, doi: 10.21437/Interspeech.2017-291
@inproceedings{tu17c_interspeech,
author={Jung-Yueh Tu and Janice Wing-Sze Wong and Jih-Ho Cha},
title={{Trisyllabic Tone 3 Sandhi Patterns in Mandarin Produced by Cantonese Speakers}},
year=2017,
booktitle={Proc. Interspeech 2017},
pages={3177--3180},
doi={10.21437/Interspeech.2017-291}
}